The head, from scratch
Six steps from the skull as a solid to a finished portrait.
Start drawing to save your progress through the course.
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1
The head as a solid
Before any feature, find the ball of the skull, the centre line and the brow line. Copy only those three things on each drawing here: no eyes, no mouth.
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2
The planes of the face, from life
Photographs give honest light. Squint and mark where the face turns away from the light: those edges are the planes, and they are what make a head look solid.
[Two Standing Female Nudes]
Félix-Jacques-Antoine Moulin
[Self-Portrait with Christine and Yvonne…
Edgar Degas
Alonzo H. Sterrett, Late Adjutant, Fortieth…
Hall & Company's Photograph…
[Young Woman with Beckers Tabletop…
Porter Photograph Parlors
[Union Cavalry Soldier with Pistol in Holster]
Tappin's Photograph Art…
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3
Exact copy: the Bargue method
These plates were made to be copied line for line. Work slowly, compare angles against the vertical, and do not correct the model — correct yourself.
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
Cours de dessin - estampe - (Charles Bargue)…
Bargue, Charles…
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4
The essential line
Holbein says everything with very few marks. Give yourself a budget: thirty lines per drawing, no shading. What you leave out is the lesson.
Hermann von Wedigh III (died 1560)
Hans Holbein the Younger
Erasmus of Rotterdam
Hans Holbein the Younger
Portrait of a Man in Royal Livery
Hans Holbein the Younger
Benedikt von Hertenstein (born about 1495…
Hans Holbein the Younger
Self-Portrait with a Straw Hat (obverse: The…
Vincent van Gogh
Philip Hobby Knight, after Holbein
John Smart Jr.
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5
Masses of light and shadow
Stop drawing edges and start drawing shapes of dark. Lay in the whole shadow side as one flat mass first, then break it up only where you must.
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6
The finished portrait
Now put it together: construction first, planes second, masses third, likeness last. If the likeness is wrong, the mistake is almost always in step one.
Portrait of a Man
Benedetto Luti
Portrait of Marc Liotard-Sarasin
Jean Etienne Liotard
Portrait of cardinal d'Ossat
Daniel Dumonstier
Portrait of Jonathan Richardson, Jr., the…
Jonathan Richardson Sr.
Portrait of Anton Heinrich Springer…
Henri Lehmann
Self-Portrait
Pietro Testa
Portrait of a Man
Jean-Baptiste Jacques Augustin
Course completed — well done.