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The trunk of an écorché seen from the back. Red-chalk drawing, 17th century.

Cigoli

The trunk of an écorché seen from the back. Red-chalk drawing, 17th century. — Cigoli
Anatomy ★★★ Advanced

What you practise here

Artistic anatomy: muscle masses and insertions

Follow the origin and insertion of each muscle group: what matters is the direction of the form, not the outline.

Draw this — free, no account Museum source

Public-domain artwork from a museum collection, reproduced for study. 100% real art — 0% AI.

Other artworks to study

An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli. An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli. The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century. The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century. The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century. The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century. An écorché seen from the back. Red-chalk drawing, 17th century. An écorché seen from the back. Red-chalk drawing, 17th century. The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century. The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century. Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests