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Muscles of the shoulder, upper and lower arm. Engraving after G. de Lairesse, 1739.

Gerard de Lairesse · 1739]

Muscles of the shoulder, upper and lower arm. Engraving after G. de Lairesse, 1739. — Gerard de Lairesse
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Künstlerische Anatomie: Muskelmassen und Ansätze

Verfolge Ursprung und Ansatz jeder Muskelgruppe: Es zählt die Richtung der Form, nicht die Kontur.

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The muscles of the lower leg with the tendons separated from each other. Engraving after G. de Lairesse, 1739. The muscles of the lower leg with the tendons separated from each other. Engraving after G. de Lairesse, 1739. Vigesimaseptima Tabula. Engraving of a flayed female back showing the muscles such as Trapizius Vigesimaseptima Tabula. Engraving of a flayed female back showing the muscles such as Trapizius A back view of the muscles of the thigh, intact but slightly separated from each other. Engraving after G. de Lairesse, 1739. A back view of the muscles of the thigh, intact but slightly separated from each other. Engraving after G. de Lairesse, 1739. The flexor muscles of the arm, hand and fingers, separated from each other and raised through the use of a dowel and a perforated box. Engraving after G. de Lairesse, 1739. The flexor muscles of the arm, hand and fingers, separated from each other and raised through the use of a dowel and a perforated box. Engraving after G. de Lairesse, 1739. The muscles of the lower arm which act on the fingers, thumb and wrist raised from their origins and left at their insertions. Engraving after G. de Lairesse, 1739. The muscles of the lower arm which act on the fingers, thumb and wrist raised from their origins and left at their insertions. Engraving after G. de Lairesse, 1739. Study for a Triton (recto); Anatomical Studies ? (verso) Study for a Triton (recto); Anatomical Studies ? (verso)