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The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.

Cigoli

The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century. — Cigoli
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Künstlerische Anatomie: Muskelmassen und Ansätze

Verfolge Ursprung und Ansatz jeder Muskelgruppe: Es zählt die Richtung der Form, nicht die Kontur.

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An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli. An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli. The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century. The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century. The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century. The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century. An écorché seen from the back. Red-chalk drawing, 17th century. An écorché seen from the back. Red-chalk drawing, 17th century. The trunk of an écorché seen from the back. Red-chalk drawing, 17th century. The trunk of an écorché seen from the back. Red-chalk drawing, 17th century. Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests